COMMUNITY

A Moveable Feast

Americans are natural vagabonds—the instinct to uproot and reboot is embedded in our DNA. This issue, “A Moveable Feast,” considers why we are so eager to pick up and go—and what we hope to find at the end of the road.

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My Mother Against Apartheid

My mother organized support for people forcibly removed from towns where they had lived for generations, and sent to the wilderness of the veld. This was occurring regularly as White areas were “cleansed” of Blacks. And she offered daily, practical help to a constant stream of Black South Africans caught up in the bureaucratic nightmare of dispossession.

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Armenia as a State of Mind

You know, your great grandmother was a slave.” A week ago my mother shared this piece of our family history. Old Yaya, was one of the millions of Armenians who were either sold into slavery, beaten or starved to death during the ethnic cleansing program of the Ottoman Empire.

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Sheltering in Place on Rhodes

Slowly, the story our lives emerged. We’d each left home at a young age to escape convention—she left a village in Sweden for a Greek adventure, and I left a small southern town to pursue my writing in New York. Now here we were two independent women in their 70s, wondering about our final acts.

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A Monument that Works for All

When Daniel Burnham, Cass Gilbert, Daniel Chester French, and their fellow commissioners chose Henry Bacon’s Greek temple design for the Lincoln Memorial in 1913, the Chicago chapter of the American Institute of Architects, led by an associate a Frank Lloyd Wright, threw a fit.

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Up Against the Wall

In her new book, Wall Disease, Jessica Wapner considers how living up against a border creates stress, fear, mistrust and a host of serious health conditions, including trauma and early childhood development issues, and even a subtle reshaping of the brain—in particular, the area that contains our compass for survival.

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At Home in America

This issue of Reinventing Home raises the critical question, Who feels at home in America? How can we make a more perfect union that is not driven by factionalism and political infighting?

There is no getting around it—our democracy is broken, and to begin the process of repair, we must move beyond the information wars designed to stoke our raw emotions and deepen our sense of enmity–and cease choosing spectacle over substance.

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The Piano is His Living Room

One of the most wonderful releases for New Yorkers emerging from shelter-in-place has been the joy of entering pianist Collin Huggins’s “living room” in Washington Square Park. Each morning, the slender Huggins wrestles his 900-pound piano from its storeroom at the Judson Memorial Church at the north end of the park, places it on a dolly and moves it onto center stage.

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The Last Black Man in San Francisco

Hailed at Sundance, The Last Black Man in San Francisco is a loving exploration of black male identity, wounded masculinity, and the healing power of friendship, family, and art. The film allows us to hang out with two sensitive and gentle men, Jimmie and Montgomery, two artists in their thirties, life-long friends, searching for a sense of meaning and belonging.

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